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Nida Ghouse

Nida Ghouse is a writer and curator. She recently realised a multi-part exhibition project on an archaeology of sound called A Slightly Curving Place (2020) at Haus der Kulturen der Welt in Berlin, which included a public programme called Coming to Know, and has led to an upcoming publication series called An Archaeology of Listening, published with Archive Books. An essay called The Whistle in the Voice appeared in relation to Natascha Süder Happelmann’s presentation for the German Pavilion at the 58th Venice Biennale (Archive Books 2019), and was followed by annotations in Beyond Repair (Archive Books 2020). Her ongoing writing project Lotus Notes has appeared variously in Mada Masr (Cairo 2014), After Year Zero (University of Chicago Press 2015), ARTMargins (MIT Press 2016), and Critical Writing Ensembles (Mousse Publishing 2016). She began her practice with the curatorial programme at the Townhouse Gallery in Cairo, was the first recipient of the FICA-Delfina Research Fellowship in partnership with Goldsmith’s Curatorial/Knowledge PhD programme in London, and has served as director of Mumbai Art Room, an experimental exhibition space. Previously, she co-curated Parapolitics: Cultural Freedom and the Cold War (2017), also at Haus der Kulturen der Welt, and co-edited its eponymous publication (Sternberg Press, 2021). It includes her essay Charged Objects of Former Reverence.

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