MOSAIC
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STUDY

Rhythm Race Revolution

July to November 2026

free

Rhythm Race Revolution (RRR) is an 8-week course with Aditi Jaganathan that uses music and its attendant cultural texts, as a site of deep study, through which ideas of race, gender, colonialism, healing and transformative justice are collectively explored. It is a radical learning space tracing the sonic(s) of resistance. 

Revolution is at the beating heart of RRR. South African musician and Jazz musician, friend and comrade Asher Gamedze, calls radical cultural work outside the gaze of racial capitalism, ‘outside work’. RRR resides in the outside spaces where, ideas, knowledge and creativity working with(in) liminal spaces, refusing the hold of the colonial gaze, and leaning into new ways of being together. As part of a dynamic ensemble, the RRR ecosystem has the power and potential to bend the will of the spirit towards refusal. 

These gatherings are an invitation to listen, read and think together, exploring the ways music, race and revolutionary praxis rub up against each other. Through revolutionary resources for (un)learning together we will look at the different ways musical cultures not only create the soundscape for revolution but are a tangible and integral part of the cultural fact of liberation.

Reading lists will be provided to participants. Places are limited.

Upcoming:

Sounding Towards: Trumpets of Collective Liberation

“This work is a true embodiment of liberation. My practice puts the power back into your hands and supports you in holding it.”- Nana Sharifa “Ageno” Bryan

Sounding Towards: Trumpets of Collective Liberation is a two-part, place-based activation of Black indigenous liberatory pedagogy and spiritual technology. 

Flowing through co-created installation, collective sound and movement, writing exercises, and group reflection, informed by Afrodiasporic and Caribbean healing traditions, this restorative practice will provide participants with new tools and understanding that will be carried into their personal and community work. 

Participants will partake in collective cleansing and community ancestor altar building rituals that disempower colonial narratives of belonging, while uplifting ancestral memory, legacy and wisdom.  


Wednesday 11 November, 7pm
Day One: Here, We Belong


Commencing with a brief artist talk, Nana Sharifa “Ageno” Bryan will explore the importance of energetic cleansings throughout indigenous traditions and how specific rituals are used to empower individuals, families, and communities.

Participants will then be guided into a ceremonial purification of the space in preparation for Day Two’s community altar installation.


RSVP


Friday 13 November, 7pm
Day Two: Collective Ancestors ‘Egungun’


Nana Sharifa “Ageno” Bryan will discuss the framework of ancestral veneration in indigenous cultures, its essential role in maintaining balance in life, and how ancestral veneration is a tool for collective liberation. 

Through song, prayer, and sacred remembrance, participants will build a collective ancestor altar, elevating those that came before to elevate ourselves and rewrite the possibilities of the future. Following the installation, a reflective journaling and talk back session regrounds us in our bodies and the present, while offering takeaways to inspire the work ahead.  



RSVP


Forthcoming events, more information coming soon:

Session 8: 11 November - Ancestral Callings: an exploration of spirit through sound with Elisa Peebles 


Past events:


15 July, 7pm
Session 1: Sound as the beating heart of revolution

In this session we will explore the ways in which sound culture has been used as a tool of rupture, refusing the dull hum of the colonial logic. Thinking with Eugene McDaniels, Fred Moten and Miriam Makeba, we will flesh out the radical poetics of music and how it prises open pathways for otherwise possibilities. 

29 July, 7pm
Session 2: Organic Music Society: A cosmos of being otherwise

Using the life and practice of Don Cherry, we will move with the ways in which he created a mirror, for life to reflect the radical impulse of music. Through improvisation and a deep study of global music, we will witness the power of his learnings through the music he wove with others.

Session 3: Journeying the pluriverse with(in) Alice Coltrane

In this session we will traverse with and through the spiritual memory of Alice Coltrane, sedimented in the capacious archive of her music. We will dance in the liminality of her search for nirvana, and her deep yearning for collective spiritual transcendence. Journeying with her artistry we will tease out the mellifluous threads in her self-determined tapestry of liberation.

9 September, 7pm
Session 4: Return to the one with Byron Wallen

“a true jazz spirit”
In this session we will be joined and guided by the beautiful spirit and profound musical energy of Byron Wallen. A magnetic educator and truly brilliant artist, Byron will help us to trace the rhythmic foundations of musical culture(s). He will compel us to see the ways in which rhythm functions as technology.

“Jazz came about not through a book but through a flight of memory" Édouard Glissant, 1990

29 September, 7pm
Session 5: Deep listening to the possibilities of Azania

In this session, we will be examining the revolutionary potential of the Southern African movement(s) for liberation. Through the prism of sound and resistance music we will be deeply listening to how Southern African artists used their craft to reimagine a free Azania.

“[music] isn’t just notes. Every note has a social meaning. I’m singing my mother’s knowledge of the plants that grew around her…playing should be informed by history. We should not be afraid to say that the revolution is not over, and refining our music is part of that revolution.” - Zim Ngqawana in Gamedze, 2018

7 October, 7pm

Session 6: Space is the Place: The quantum physics of Sun Ra

In this session, we will orbit around the rich and deeply beautiful cosmologies of Sun Ra. We will unearth the layers of his practice as a musician, intellectual and student of Black epistemologies. He embodied the spirit of refusal, both sonically and in his orientation to the world. Let’s orient to the spirit of Sun Ra so we can better breathe those otherwise multiverses into being. 

28 October, 7pm

Session 7: Architectures of Self-Determination through Sound

In this session, we will explore the ways in which collectives of artists and avant-garde thinkers and dreamers have refused to submit to the rhythms of an oppressive system which both exploits cultural workers and commodifies the music and the artist alike. We will traverse the worlds of the savant Black Jazz and Strata East labels, as well as the feminist label Olivia. The pulse of improvisation and experimentation will be the thread that we unweave to see how new ways of being can indeed transpire.

Image: Design by Rand Hamdallah. Courtesy of the artist.

ARTIST

Dr Aditi Jaganathan is a thinker and creator, writer and dreamer. Having worked at the intersections of law, culture and politics in various capacities, Aditi is motivated by a politics of refusal, living in rupture as rapture; turning away from hegemonic worlds of oppression and tuning into something different, beyond the world we live in and moving to the rhythms of an elsewhere. It is this compulsion which guides her pedagogy in the education work she does. Riffing off education for liberation, she creates spaces of (un)learning as a site of radical praxis, using tools of music, film and visual culture, to unpack the ways in which ideologies of oppression and liberation travel through cultural production.

Nana Sharifa “Ageno” Bryan: Ɔkomfo Nana Sharifa “Ageno” Bryan, M.S. is a poly-mystic Spiritist and a working priestess in the Akom Asante African Tradition, an initiated Iyanifa in Yoruba Isese and Orisa, and a Yayi Nganga Nkisi Malongo in the African Diasporic tradition of Palo Briyumba. As a transcultural interdisciplinary social practice spiritual artist and cultural preservationist, she curates community centered ecosomatic healing experiences that traverse through indigenous culture traditions and educates on lineage sacred ecologies by way of collective public rituals. She holds a Master of Science in Education degree in Reading, Writing, and Literacy from the University of Pennsylvania and a Bachelor of Arts degree in Journalism from Kutztown University.

Ayorinde Elisa Peebles is a spirit-led scholar and creative strategist, currently pursuing a PhD in Performance Studies at Tufts University. She was born and raised in Haudenosaunee territory, came into awareness in Lenapehoking and has been embraced as a guest by the Caribbean archipelago of Borikén. Her work uses creative nonfiction, performance, and sound to channel postapocalyptic prophecy and black futurity. Elisa is a student and steward of multiple Afrodiasporic spiritual traditions and identifies as a Black mystic and death keeper. She is a member of Ori Lagba Temple, an Omo Awo of Baba Olóyé Fáṣẹyẹ Ṣangọ́bukúnmi Egúnjobi, and a Dawtas of the Waters Apprentice of Nana Sharifa Ageno. Alongside her PhD, Elisa is currently studying the PRAXIS Alternative Health Practitioner Development System. 

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